Lost Bands of Britpop (Part Five)

Some bands just catch lightening in a bottle. They are great for one record and then disappear. For some it's not that they don't release other stuff; it's merely that it's ignored. For others, one record is all they can muster. ELASTICA actually fit into both categories. I remember getting the 7" record of their first US single "Stutter" (back in my radio days when records were still pressed for playing purposes) and I was shocked at what I heard. Not since THE PRETENDERS, had I heard a female voice with such power and focus. Justine Frischmann had the kind of raw emotion to her voice that made their songs jump out of the speakers and grab hold of you. I must have played "Stutter" three dozen times prior to the release of their debut record. Needless to say, my hopes were high for the whole album. And it did not disappoint. Now, Elastica, wasn't exactly setting off in uncharted waters with their mix of pop and punk but it had a real sense of urgency and the entire collection had a drive and immediacy to it that it mad it infectious. Then radio got a hold of "Connection" and everything changed. Justine became the new it face of British rock (due in large part to her very public relationship with Blur's Damon Albarn) and the band couldn't put a follow up together. Time came and went, as did several members of the band, and most of the world forgot about the band.

Justine and a new line-up put out a follow up but it didn't go anywhere. This is what I mean by a band that falls into two categories. They didn't have enough in their creative repertoire to sustain a second record when the first took off. Then by the time they did, music had moved on. It's for the best really. Even now, the first album stands up remarkably well to the test of time. "Never Here" and "Waling Up" could still fit into US radio today (and they weren't even singles here). "Connection" still hits a wondrous note with the siren style guitar lick. Even the album tracks have the same bite they did almost thirteen years later. Truly, Elastica was one of the great lost britpop bands.

(mp3) Elastica -- Stutter

(mp3) Elastica -- Waking Up

Just When I've Lost Faith in Humanity

These were the top headlines from the local rag today here in Pasadena:

1) Woman struck by vehicle in Montebello

2) Man shot in Baldwin Park

3) Man dies after being punched
4) El Monte police officer shoots self in leg

5) Man arrested after blast
6) Gang member sentenced to death for killings

Seriously, that is one bad news day. So just when I have seemingly lost all faith in my fellow man, my iPod blessed me with this track late in the evening. Not only does it have a wonderful message, but the way it builds musically as Michael Hutchence (an underrated singer in my mind) plays out his story is breathtaking. It just made my day a little brighter and gave me hope that there still is beauty in this somewhat messed up world of ours.

(mp3) INXS -- The Stairs

I don't normally put lyrics in my posts but I have always loved these. They might be a bit hokey and naive but they still produce a lump in my throat.

In a room above a busy street
The echoes of a life
The fragments and the accidents
Separated by incidents

Listened to by walls
We share the same spaces
Repeated in the corridors
Performing the same movements

Storey to storey
Building to building
Street to street
We pass each other
Storey to storey
Building to building
Street to street
We pass each other

Listened to by walls
We share the same spaces
Repeated in the corridors
Performing the same movements

The nature of your tragedy
Is chained around your neck
Do you lead or are you led
Are U sure that you don't care
There are reasons here to give your life
And follow in your way
The passion lives to keep your faith
Though all are different all are great

Climbing as we fall
We dare to hold on to our fate
And steal away our destiny
To catch ourselves with quiet grace

Storey to storey
Building to building
Street to street
We pass each other on the stairs

Listened to by walls
We share the same spaces
Repeated in the corridors
Performing the same movements

Storey to storey
Building to building
Street to street
We pass each other on the stairs

Thank God for Sarah Palin!!!

No, I haven't fallen off the face of the planet (just consumed by the first of many 65 hour work weeks in the coming year). I have every intention of resuming my semi-regualr schedule of music related posts tomorrow.

It's hard to believe that since my last post the Democrats nominated the first ever minority for President and the Republicans selected someone even less qualified than former VP Dan Quail for their ticket. Isn't progress grand? Seriously after the week I had I needed a good laugh and god bless the GOP for giving me a good one. Now before being accused of being a sexist let me be clear, I fully believe that a smart woman can one day be president. And I admit I know very little about Mrs. Palin (seems more appropriate to call her this so as to go with her whole hot librarian vibe - to steal a line from about 10,000 comedians in the last week!) but is running the state of Alaska for less than two years really enough of a resume for the second most powerful person in the US. I mean, Jesus it's FREAKIN ALASKA!! What's her primary constituency...moose and geese? So maybe I'm being a wee bit harsh. After all, she is probably smarter than me (Dear God let's hope so or we are all doomed.) But just think one should have logged more than 1 and 1/2 baseball seasons as a leader of people in order to be allowed to chair the Senate.

I think this video is the perfect intro to the woman who may be VP

Well, at least the next two months aren't going to be boring. Hold on to your hats folks...it's gonna get a bit bumpy.

More tomorrow...I hope.

New Bloc Party

I have made no secret of my disdain (or perhaps apathy is a better word) for the last BLOC PARTY album " A Weekend in the City". Maybe it's because "Silent Alarm" was so good and so polished for a debut that I raised the bar on the band too high. Maybe it was that I had a poor digital download of the album which made the nuances harder to appreciate. Maybe the darker feel wasn't where I was at the time, but the whole album left me wanting more. Anyone can see these guys could very well be a great band and make great music for a long time. But with the surprise release of their third album "Intimacy" we might be seeing a full fledged band emerge with the kind of adventurous spirit of RADIOHEAD or U2.

"Intimacy" a record that is all over the place. The lead single, the horn and back beat infected "Mercury" recalls early CURE with it's cacophony of sounds and lyrical nonsense. "Ares" has the feel of an anti-war rant (still digesting the lyrics) when it suddenly softens in the middle. "Halo" could be a Silent Alarm outtake with it's driving guitar/bass combo. But it's when the band unleashes "Biko" that we see something totally different. Here the band writes the closest thing they have to a ballad but full of longing and suffering that makes it an extraordinary listen. The second half of the album has an anthemic feel of a band writing for arenas and large concert venues. Clearly the band has big ideas of it's mind for the immediate future.

"Intimacy" is not as fresh as the debut or a nuanced as the second album, but the entirety is a wonderful listening experience and the sign of a huge leap forward for the band. In a year full of great albums this one is in the running for top honors.

(mp3) Bloc Party -- Biko

Zencast #15 (The Indie Cast - B)

Being the attention whore that I am, I looked at the stats for all of my podcasts and found that the most successful one, based on listener downloads, was the so called "Indie Cast" I did about 5 months ago. So I threw together some random new indie rock and ,VOILA!, a podcast was born. Hidden gems here include the latest from MOGWAI and THE AIRBORNE TOXIC EVENT as well as a great new single from RA RA RIOT. Enjoy these 49 minutes of fun and, as always, feedback is appreciated.

Zencast #15 -- The Indie Cast - B

Tracklisting

Mogwai -- The Sun Smells Too Loud

Working For A Nuclear Free City -- Kingdom

The Airborne Toxic Event -- Sometime Around Midnight

A Classic Education -- Badlands and Owls

Anthem In -- Down

Cerulean -- Quiet Release

Alexi Murdoch -- Home

Lackthereof -- Last November

The Little Ones -- Boracay

Ra Ra Riot -- Dying is Fine

Lost Bands of Britpop (Part Four)

THE BLUETONES were supposed to be a big deal - at least, that's what the PR guy from their US label said to me in line one night at the annual CMJ festival in New York. CMJ was a magazine/charting service for College radio that was my personal bible while in college. When I was in the industry, these charts were the make or break for a new band because it told the world whether or not a band had indie cred. This is an antiquated notion these days, but a fair analogy would be a hit record today on about a thousand blogs would be the same as getting played on a thousand college stations back then. So, when you went to CMJ, you would be seeing the hippest and coolest of the music industry at that time. Each night was a collection of showcases for different bands trying to sway stations to play them on the air. Each night there was that one band that was the big ticket that every radio and industry type wanted to see. For one night in New York, The Bluetones were that band.

Now, it is never fair to raise expectations on any band to the height that they were at that night. I walked into the club expecting a band on par with OASIS, BLUR or THE CHARLATANS. What I got was an average sounding Britpop band with a couple of strong songs. I left disappointed, and turned to my PR friend and said, "So what else you got going tonight?". To a PR guy working a radio Music Director, this statement was akin to shooting his dog. Upon my return to California, I never even took the time to buy the full album. I had enjoyed the ep they had sent me and at the time that was enough for me.

About a year ago, I found "Expecting To Fly" online and downloaded it. I was surprised at the quality of the record. "Slight Return" has a nice sing-songy feel to it that never translated well live. "Bluetonic" is textbook britpop (as if recycled out of The La's leftovers), while "Talking to Clarry" has that open the show slow build to a somewhat majestic anthem feel that shows off some above average guitar work. It's a nice record and one I should have not dismissed. Were they the second coming? NO! But I was glad to see that they have carried on and I might just see what they have done since their debut. I guess the lesson here is that some bands just aren't good live (at least the night I saw them), but that shouldn't be the kiss of death. Who knows, maybe the pressure was to much for them and they were tight? Maybe a few more shows would have benefited them and given them a greater presence in the US. Still, for a britpop nugget they feel like a nice addition to the Lost Bands Catalogue.

(mp3) The Bluetones -- Slight Return (Courtesy of The Daily Growl)

(mp3) The Bluetones -- Bluetonic (Courtesy of Song, By Toad)

I had the whole album on my computer but apparently deleted it to save room!

Plugging back into the Matrix

It's amazing how reliant I have become on technology. Now, I have always been relatively in tune with the latest gadgets and advances. But over time I have become more and more attached to the notion that I can get information any time I want via the Internet. For many of us who lived prior to the Internet days, this development has changed how we act when we go on vacation. I recently spent 10 days on a ranch in Southern Oregon where I had no cell-phone reception (thereby slicing me away from being able to check my blackberry for e-mail), a computer with a dial-up modem (which makes getting information off the net next to impossible) and a local paper that was 14 pages total (mostly about local news which has no bearing on my life). Add to this the fact that, even though there was cable TV, it was in another state so forget trying to keep up on local baseball teams and their games. I was reduced to checking the ESPN crawl at the bottom of the screen over and over to see if the Angels were winning or losing. For someone who has a information addiction this is some form of sadistic torture.

(NOTE: I did have a very nice time and actually spent quite a bit in a wonderful hammock between two shade trees with a nice breeze blowing. So don't get the idea that I am ungrateful bastard who can't appreciate a little R and R)

So obviously my wife and I fought tooth and nail to see who got to the computer first upon our return home to check e-mail, facebook, websites, and other Internet related gobbledy gook (I lost which is why this is being written today instead of yesterday). So now I'm plugged back in and ready to go. Now excuse me I have to go refresh my e-mail... it's been two whole minutes.

Computer Club is a great new electronic act which seemed to fit with the theme today. All song links courtesy of I Heart Comix

(mp3) Computer Club -- Bizarre Love Triangle (yes, another version of the New Order Classic)

(mp3) Computer Club -- Laptop Levitation

Hitting the Open Road

Summer school is at an end so it's time to pack the family up in the car and head North to the great state of Oregon for our annual family trip. This year we decided to try to minimize the pain on the boys and drive through the night rather than wasting an entire day. This does mean, however, that I will have to pull an all nighter to accomplish this feat. So given the fact that I have to rest up and that I will be on vacation for the next 10 days I leave you with a couple of parting gestures. See you in a couple of weeks...

(mp3) Aberdeen -- Drive

(mp3) Elastica -- Car Song

(mp3) West Indian Girl -- Leave Tonight

Lost Bands of Britpop (Part Three)

In every movement there are those bands that don't get the respect and admiration they deserve as compared to others. THE AUTEURS clearly are one of those bands. Led by singer and principle writer Luke Haines, The Auteurs brought a sense of poetry and lyricism to the Britpop movement that cut against much of the original working class leanings of the other larger bands. Haines traveled in imagery of French lifestyle and love found and lost. The bands use of acoustic guitar and synths gave their sound a more cosmopolitan feel as if plucked from the soundtrack of a foreign film.

The band's second record, "Now, I'm A Cowboy", refined their debut's style and was even more esoteric. Although it leads with a bang with the rocking "Lenny Valentino", the record settles into a leisurely pace of melancholy and dreaminess. Highlighting the record is the sublime "New French Girlfriend", which had even more power live. I think it's just that most people simply didn't get the band. The next album saw the band hook up with Steve Albini who pretty much decimated the band's sound and one of my colleagues at the college station to publicly call for both Albini and Haines' heads. After that it was downhill from there. Every once and awhile they get name checked as part of the movement of Britpop but they actually were quite removed from the style that was the signature of the genre. There closest peers would probably have been PULP (who will get there own mention in the future) and gave the sound a more grown up, less working class feel.

I have to say I was surprised at how well this record stood up over time. It has a timeless quality to begin with that is only enhanced when you appreciate the subtlety in the music. This is a shining example of the excitement of the music from this time.

(mp3) The Auteurs -- Lenny Valentino

(mp3) The Auteurs -- New French Girlfriend

(mp3) The Auteurs -- Underground Movies

I Can't Get No Sleep

From time to time I get insomnia. My wife also suffers from this inability to get to sleep, but in a much different capacity than what is currently afflicting me. Her's requires a nightly sleep aid to allow her to sleep. Mine strikes intermittently making it impossible to even lay still in bed. I can't really say what causes it or why it strikes, but it's as if my body has these twitches and leaps in it making it very hard to drift off to sleep. Sometimes I can pinpoint a cause (usually consumption of large amounts of caffeine prior to bed does the trick) but then there are those nights when it becomes obvious that sleep is not coming soon. So what does one do? Do I lie there in the dark hoping that something will allow me to calm down? Do I give in and take a drug knowing that the sleep will not be true? So, instead I came out here to the computer to type to see if that might help center my thoughts. So I have nothing original or thought provoking to say just musings to pass the time.

I suppose I could write a review of THE DARK KNIGHT since I saw it today, but what could I say that would be unique or new to the conversation? (other than that I personally enjoyed it quite a bit despite the unrelenting darkness of the film and yes Heath Ledger is very good...)

I could take the time to talk about the state of my beloved LA ANGELS (best record in baseball) but since no one else in mainstream sports media cares about them then why should I?

I could opine on the state of the US economy and the eerie parallels between the current situation and the beginning of the GREAT DEPRESSION of the 1930's (but that would only put you to sleep, not me)?

I could pick something random and just babble on about it, but that might just get my mind all fired up and then I never get to sleep!!! THIS IS ABSOLUTELY MADDENING!!!!!!!!!!!!!!!!!!!!!

So I put this to you dear readers, how do you fight insomnia? How do you drift off to sleep when every ounce of your body is fighting you? Leave suggestions in the comments section. I'm gonna go have some warm milk...

(mp3) Faithless -- Insomnia

(mp3 ) The Perishers -- Trouble Sleeping

Bring That Beat Back (Dancing Around the World)

Just a quick post here because this totally blew me away when I saw it and it gets better each time I view it. Added bonus for a really cool song:

Seriously who wouldn't want to be this guy. To see all that he has seen. I wish I could have seen a fraction of the world that he has danced through. What amazed me every time I watch this is how universal the joy of dancing like a fool can be. So get up and dance around your city tomorrow. It will make you feel better!

Simply A Beautiful Movie

My wife and I finally sat down and watched "Once" last night, and I, for one, was floored by the beauty of the film. Now, I have a soft spot for Irish films, since I had a truly life altering trip to Dublin while I was in college. In spite of that, I was not prepared for the elegance and grace of the film and how it depicts the struggles of two lost souls who, only when connected through music, can be whole. Glen Hansard, of the band THE FRAMES, has such passion and depth to his voice when he sings - it makes you feel the anguish and despair he feels. Add in the gorgeous harmonies of Marketa Irglova and you can easily hear why their music won an Oscar.

"Falling Slowly", as performed in the film, is almost like the first time you realize you are falling in love with someone. It starts off tentatively then builds to a chorus as two voices find harmony, then drifts off at the end as you and your love find peace with each other. Conversely, the other musical focal point of the film "When Your Mind's Made Up" seethes with the hopelessness of a love that is gone and the realization that you cannot get back what has already left. The filmmaker doesn't give us a traditional payoff (I won't spoil it if you haven't seen the film, but it is a bit of a surprise), yet it feels true to the intention of the movie. Having had a day to digest it, I can say I'm actually haunted by the sounds and feelings of the film. I was glad to have seen it and I hope you will be as well. You will not be disappointed.

(mp3) Glen Hansard and Marketa Irglova -- When Your Mind's Made Up

Lost Bands of Britpop (Part Two)

A quick note: A fellow whom I have tremendous respect for and read every day, The Vinyl Villian, has started a similar series on Britpop bands from the 90's. Let me assure everyone that I did not steal his idea. If you get a chance you should read his take on this genre of music. Who knows, it's possible some of the same bands will show up in both spots.

During the 90's I bounced around the record industry interning at a variety of record labels. This consisted mostly of taking phone messages and sorting through stacks of CD's in warehouses. I worked at different times for London Records, Maverick, Interscope and Polydor (a subsidiary of A&M). While at Polydor a London quartet by the name of GENE was signed with the hope of cashing in on the Britpop craze that had infiltrated America. The label executives called us into a room to listen the their debut record, "Olympian" which was followed by a briefing on the talking points if we dealt with the public on this record. What struck me upon listening to the record was the blatant attempt the band was making in imitating THE SMITHS but in a way that made them sound more like a Smiths cover band than being influenced by Morrisey and Marr. This fact was almost universally ignored by the upper management types instead we were told to focus on the song writing and musicianship. Needless to say every college radio person I spoke to over the next few months refused to play the record because, "I'd rather just play The Smiths".

Upon returning to the record for this series I tried to approach it as a fresh group and overlook the influence. I mean, if I could do it with OASIS, why not these guys. But it's just to hard. Martin Rossiter's vocals don't have the same melancholic moan of Morrissey but there are certain vocal intonations that are similar. Steve Mason's guitar doesn't chime the same way as Johnny Marr, but there are moments of Marr-esque picking. I imagine I could overlook these things and say, yes it is a good record. I do remember over time actually enjoying some of their songs and it appears that the band has had some success in Europe before disbanding in 2004. Of the songs, "Be My Light, Be My Guide" is a real gem mostly because it has an edge that a lot of the other songs lack. I know this isn't the most positive review but sometimes mediocrity can be enhanced by one great song. That was the case here.

(mp3) Gene -- Be My Light, Be My Guide

(mp3) Gene -- Olympian

Lost Bands of Britpop (Part One)

This series may increase my readership through the roof or it may single handily destroy everything I have accomplished to this point (which frankly is not saying much). Following the viewing of the aforementioned SEVEN AGES OF ROCK I traipsed through the old record collection and dusted off a few choice Britpop nuggets that I hadn't spun in a while. I have no idea how many of these posts there will be and if I can sustain a fascination with Britpop for any length of time, but here is the first of those records that at the time I thought were brilliant.

CARTER THE UNSTOPPABLE SEX MACHINE gained most of it's notoriety due to its name and the play on words they often employed in their song titles. I often felt ridiculously cool playing this for friends because it seemed a bit seamy and dirty as a band name. (Admittedly, I was a giant dork in my youth) "101 Damnations" was their debut album and came out during the "Madchester" scene of the late 80's and early 90's. Similar to Happy Mondays and EMF, Carter deployed a healthy dose of keyboards, drum beats and samples to fashion a danceable eletropop sound. Lyrically, the themes of disenfranchisement and the life of the working class in England are housed in a spitfire, rap delivery by lead singer Jim "Jim Bob" Morrison. In many ways Carter is a great example of a band that should have been more of a cult act but because of the success of other Brits they attained a higher place in music then they might have deserved. Still, songs like "Sheriff Fatman" and "Twenty Four Minutes to Tulse Hill" have their charm (I dare you not to clap along to the intro to "Fatman").

(mp3) Carter the Unstoppable Sex Machine -- Sheriff Fatman

(mp3) Carter the Unstoppable Sex Machine -- Everytime A Churchbell Rings

Everything I Love About Music in Two Simple Steps

If you haven't seen the Documentary series THE SEVEN AGES OF ROCK, then you have missed out. It shows up on VH1 every so often and I always have to stop and check out pieces of it. Here are three outttakes that sum up just about everything I love about rock music and what I was into when I was diving into the rock pool for the first time. (all that's missing is a bit on U2 but you all know that band's story...)


REM MEETS NIRVANA IN ALTERNATIVE ROCK HEAVEN


THE BIRTH OF BRIT POP

Zencast #14 (Songs from The Wife's iPod)

Normally acts of undying affection are best saved when one is in trouble. The entire florist's industry is built upon the maxim that it's better to arm yourself with something pretty when apologizing. Many men have spent countless hours scurrying around malls searching for the gift that will get you out of the doghouse. But sometimes it's nice just to show appreciation without a need to remove guilt or suspicion from what you might have done. I SWEAR THIS IS THE CASE HERE!!

My wife has a unique taste when it comes to music. She loves Country and Classic rock (Eagles, Jimmy Buffett). She has cornered the market on mopey, chick rock/folk and girl electro-pop. But every once and awhile, she stumbles across some truly extraordinary music. So I thought I would take a break from my own personal quest to expose the world to quality music to give you a glimpse into her musical catalogue. Enjoy...

Zencast 14 -- Songs From the Wife's iPod

Tracklisting

1) Jimmy Buffett -- The Wino and I Know

2) The La's -- There She Goes

3) Third Eye Blind -- The Background

4) Jesus Wore Dickies -- Ant Farms

5) Pet Shop Boys -- Home and Dry

6) Sarah Harmer -- Lodestar

7) The Little Ones -- Lovers Who Uncover

8) Azure Ray -- Rise

9) Kaiser Cartel -- Before

10) Maria Taylor -- A Good Start

11) Tara MacLean -- Dry Land

12) Yann Tiersen -- L'Autre Valse D'Amelie

13) Tori Amos -- Tear In Your Hand

Collective Nostalgia

So, I was racing to work this morning and didn't think to plug in the old iPod - so I ended up listening to GASP!! the radio. (I know my distaste for the radio is well documented, but bear with me; this will end well I promise). Anyway, as I was flipping from station to station, "Hey Jealousy" by the GIN BLOSSOMS drifted by - a song that I hadn't heard in awhile and which made me think fondly of my earlier days. I then came home tonight with the intent of picking this record out and giving it a proper listen. Sadly, I was too lazy to find it in the collection, so I did a quick search and found three other blogs that had posted the song. This in and of itself is not remarkable; what was interesting is that all three referenced the song in the exact same manner: a song that was a piece of nostalgia that contained fond memories and made no mention of the band or it's musicianship. Which got me thinking - do we suffer from collective nostalgia? Did we all subconsciously decide one day that certain songs have a shared meaning to all of us of the same age bracket? Conversely, do we all have the same break-up songs? Anthems of our youth that have moved beyond our personal attachment to some sort of Generation X storehouse of experiences (like the fact that everyone I know who spent anytime living in or around Los Angeles was at the Depeche Mode "riot" on Sunset during the release of "Violator" or those who swear to the almighty that they were "way into Dave Matthews" before they became popular...)?

In the same vein, how does a song escape our personal catalogue and reach collective nostalgia status? How did this rather run of the mill pop song about a girl and boy alluding the authorities become something we all identify with (trust me when I say this never happened to me)? Is it because it's catchy? Did it have something to do with the band being a big summer tour draw when we all had more free time to play the same thing over and over ad naseum? Or is it simply because we used to listen to the radio more as a society and music wasn't as fractured with variances as is it is today (which I am not saying is a bad thing); did we have a smaller pool of songs to make up our generational soundtrack? Will the next generation say to each other "Wow, that song brings back memories!" only to have the other person look at them quizzically and reply, "You mean the remix with Nas or the club remake from Kylie Minogue featuring Miley Cyrus and Timbaland?" as a result from the fact they don't suffer from collective nostalgia?

(mp3) Gin Blossoms -- Hey Jealousy (courtesy of Pirates of the Bargain Bin)

The Fairline Parkway

Label mates of THE GREAT NORTHWEST (who I featured a few days back), this Washington DC band traffics in soft, soothing acoustic indie pop similar to THE PERISHERS but with the added touch of a female vocalist (I could give you about a hundred more comparisons because the sound is so familiar but it's late and my head hurts). Some of the tracks on their album, "A Memory of Open Spaces" hint at a POSTAL SERVICE vibe if they grew up in Nebraska rather than Seattle. "Homesteaders" is a gorgeously crafted slice of pop music that meanders over a skippy little beat as a soft acoustic guitar strums to the accompaniment of Raj Gadhia's vocals. "A Given Day" takes a subtle turn to a slightly darker place, while "Robbed Blind" has a Wilco style country flavor all it's own. "Westward Bound" is probably the best example of the band's formula has a beauty in it's simplicity (and a great use of a trumpet to boot).

This is a record that might not grab hold of you right away but after a few listens you will wonder how you ever lived without it in your collection.

(mp3) The Fairline Parkway -- Homesteaders (Courtesy of the Heart Attack Club)

(mp3) The Fairline Parkway -- Westward Bound (Courtesy of Mainstream Isn't So Bad)

General Fuzz Loves You Back

Two days in a row for unsolicited new music!!

GENERAL FUZZ is one guy making music his own way. I have to admire someone who just gives his music away. Why would he do this you ask? "Mostly it's because I have a day job and my underlying goal is to have my music heard" is what his bio says. The problem is that people who often give stuff away are giving it away because it's not very good. FORTUNATELY, that is not the case here. General Fuzz operates in the Electronica lite section of music that is a cut above mood music but not as hyper kinetic as rave or trance. I listened to his latest record, "Cool Aberrations" and found myself actually enjoying it (I must have been in the right frame of mind!)

Of the tracks on the album the lead track "Acclimate" has a sort of U2's "Where the Streets Have No Name" feel to it. "Fugal" adopts a female vocal over the top of a nice little break beat. If I have one minor complaint is that it does get a bit repetitive over the course of an entire album, but that is usually the case with most electronic music. I would love to see what he can do with a greater sonic palette. At his best his music has shades of LTJ Bukem and Moby. I recommend you check it out.

Download all General Fuzz Albums here

Downtempo Goodness from The Great Northwest

Anytime someone sends me something to listen to I indulge them as best as I can. Such is the case with Portland's THE GREAT NORTHWEST. When a band drops MY BLOODY VALENTINE, SPRIITUALIZED and THE DANDY WARHOLS in their opening bio then they had best bring the good when you press play. After a few listens the their debut, "The Widespread Reign of...", you can finally get past the obvious references to the aforementioned artists and see what this band has to offer that is in some way their own.

"Chief John", the official first single has a nice lazy acoustic feel to it that allows lead singer Brian James Coates to drift over the top with his vocals. The whole song is an exercise in atmosphere that becomes more infectious as you listen (somewhat reminiscent of the Beta Band's "Dry The Rain"). "Know What I Mean" openly aped Spritiualized, but that is not a bad thing. "Reverie" has a nice clipped guitar intro before it opens up to a kind of dreamy ballad. My favorite track is probably "Western American" which somehow got stuck in my head while I was at work one day and I was actually forced to shut my office door, crank up the computer speakers and blast it so I could get it out of my head. So it's worth the money to get this if you are into the kind of dreamy, slightly fuzzed out space rock sound. I will certainly follow up what they do next...

(mp3) The Great Northwest -- Chief John

Official Website