Zencast #8 (The Random Cast)

So I hadn't done a podcast in awhile and with the ridiculously crappy weather lately, staying indoors a putting together playlists is as good a way to pass the time as any. So there isn't really any real binding theme to this one, just 50 minutes of quality music. For those of you are are curious I tend to record these late at night after the wife and kids have gone to bed, which would explain the somewhat laid back, quiet tone in my voice. Normally I'm a pretty animated guy but for some reason when I get in front of a mic I become someone who is auditioning for NPR. I guess the next one I'll try to overload on caffeine before I start recording.

Zencast #8 -- The Totally Random Cast



Tracklisting

1. The National -- Squalor Victoria

2. Nada Surf -- See These Bones

3. The Grants -- I Am The One (thanks Ed at 17 Seconds for this)

4. The Church -- Reptile

5. Starky -- Hey Bang Bang

6. Oranger -- Crooked In The Weird Of The Catacombs

7. Cold War Kids -- Hospital Beds

8. Midlake -- Roscoe

9. The Frames -- Dream Awake

10. Eddie Vedder -- Hard Sun

The First Post of 2008

So I'm not really sure what kind of year 2008 will be from a music standpoint. Part of this is due to the my own laziness. I used to be up on who was releasing new albums when and therefore I could anticipate things before they happened. Sadly, this trait has gone by the wayside (which for a music blog tends to handicap me a bit in the scooping trade) Outside of the new REM record (out April 1st) I can't tell you any record I am in rapt anticipation for. I am also intrigued by the impending release of the new NADA SURF record. On the other hand, this is also a good time to launch back into the record collection and rediscover some old friends since I have nothing dominating my Ipod lately. This is what brought me to the rediscovery of PORTISHEAD. (I know kinda glum way to begin a new year but hear me out on this one...)

Portishead's first record still sounds fresh and revolutionary. This was a group of risk takers and spawned a whole new form of music that had a huge impact on me during my college years. With its mix of hip hop beats and tortured songstress lyrics, "Dummy" was a complete and utter shock to the musical system. I wasn't prepared for something so unique and yet familiar. (Side Note: On vacation to visit the in laws my father in law received a copy of the Edith Piaf Biopic "La Vie En Rose", the similarities in vocal patterns between Piaf and Beth Gibbons in some places are quite remarkable) Musically, the band stole from a variety of sources; jazz, blues, electronic, even some of Frank Sinatra's more melancholy ballads. the result was nothing short of awe-inspiring. I hadn't heard the record in a while but playing it again tonight just reinforced my belief that this was one of the great albums of the 1990's.

The point is that you never know what my hit you from left field. I wasn't prepared for this album and look what happened. Here's hoping some unknown band comes out with a truly great record this year and shakes things up all over again.

(mp3) Portishead -- Sour Times

(mp3) Portishead -- It's A Fire

(mp3) Portishead -- Roads (probably my favorite off this record)

The End of Year List

So I have been somewhat reluctant to post my end of year list (partly because these types of lists are somewhat cliche, but mostly its simple procrastination). But here is my top 7 (a very zenlike number) of 2007:

1) The National -- Boxer

I fell in love with "Fake Empire" and then slowly grew to the rest of the album. Like nothing else that was produced this year, The National take their own unique sound and deepen the textures on this record. Probably the only album this year that was solid throughout, this is definately a band that will make seriously powerful music for a long time.

(mp3) Fake Empire

2) The Editors -- An End Has A Start

I posted on the great Editors/Interpol debate when these records came out, and my prediction held true. While the Interpol record faded away quickly, this album just kept hanging around. By the fourth listen the Joy Division comparisons faded and all that was left was epic Brit rock.

(mp3) Smokers Outside The Hospital Doors (bonus: This was #34 on Contrast Podcast's end of the year top 50 and you can catch my intro of the song here)

3) Band of Horses -- Cease To Begin

The first three tracks on this record are better than any other album opening group (with the exception of The National). I admit that I dismissed these guys the first time around, but I rarely make the same mistake twice. While the back half of the record drags a bit, there is no denying that "Is There A Ghost" and "No One's Gonna Love You" are tremendous songs full of passion and emotion.

(mp3) Is There A Ghost

4) Rogue Wave -- Asleep At Heaven's Gate

With a greater depth to the music than previous efforts and an even greater Beatles influence, Rogue Wave brought forth a record of mature songwriting that I really warmed to after awile. "Like I Needed" and "Chicago x12" are slices of pop heaven.

(mp3) Like I Needed

5) Radiohead -- In Rainbows

I wanted to like this record more than I do. Sure Radiohead is still one of the premier rock bands around. Yes it's a solid record, but frankly I expect more from them. Are they being punished for past glories? Probably. But I hope that they still have a great record in them, because I think this one was just really good.

(mp3) All I Need

6) The Shins -- Wincing The Night Away

Originally, this was headed for the disappointment file because I was left a little underwhelmend. Then a few weeks ago I went back to it and re-discovered what I first suspected. This is a pretty darn fine album. In clearly an instance where hype almost killed a good band, The Shins made a wonderful mash up of Smiths, Beatles and California pop for a record that is both very British and very American in sound.

(mp3) Split Needles (do yourself a favor and track down the alternate version of this one!!)

7) Shout Out Louds -- Our Ill Wills

This is mostly on the strength on the single "Tonight I Have To Leave It", which is the clear frontrunner for single of the year (Hanging with The National's "Fake Empire" and Votxtrot's "Introduction"). Taking from The Cure and other 80's pop bands to update a great sound is always a good way to get in my graces.

(mp3) Tonight I Have To Leave It

Disappointments

1) Bloc Party -- Weekend In The City

I wore it out for two weeks and haven't been back since. I think they will still be great and it is possible that in 10 years we all look back on this record and re-evaluate it (much like u2's October) but right now I say it was my biggest let down of the year.

2) Ryan Adams - Easy Tiger

I love Ryan Adams and yet he constantly frustrates me. He could be this generations Dylan, but he just doesn't seem to be able to get out of his own way. Not polished enough for commercial success, too polished for indie god status. He just floats and throws out material that has so much potential and yet fall short. I also am disappointed that he stooped to a duet with Sheryl Crow...I know he can do better.

3) Interpol - Our Love To Admire

I am just about done with these guys. After all the talk about the new sound, all I heard was the same thing. Outside of "Pace is the Trick" the record is lifeless and repetative. If the next record sounds like the last two, they may not recover.

Why We Blog...

My wife has started her very own blog (you can visit by clicking here). This got me thinking about the whole blogging phenomenon itself. Why exactly do we blog? What is the purpose of putting our thoughts out there for just anyone to read? My wife's take is that it's sort of an inner monologue that we share with others. I would agree except I think of it as nore an inner argument with our own subconcious. I mean, after all, aren't we just putting a carefully crafted piece of ourselves out for display. It's not like most of us who blog with any regularity really give any in depth insight into our lives and our way of looking at the world. Most of us use it as a vessel to spring forth opinions on which band we think is shit or who is the hottest Spice Girl (count one vote for Gerri over here by the way!)

This is not meant to be critical but merely a short rant about just how seriously we should take this whole blogging universe. I mean, come on, just because I read Perez Hilton doesn't mean I believe everything he writes. And just because someone doesn't care for the head coach of the UCLA football team doesn't mean that blogger should be quoted in the LA Times as a source on anything to do with the coach's job. People are taking these blogs way to seriously. It's meant to be fun and meant to entertain others. So I will continue to write about music and TV because it's pithy and has little effect on the world. Hopefully, you will continue to read and keep writing your own pithy blogs so that we have something to enjoy!! But that's just my opinion.

(mp3) Velvet Underground -- What Goes On (courtesy of Just Press Play)

I think this opening line sums up my feelings about my blog pretty well...

A Dark Night and The Perfect Song

So I was out late tonight on a food run. The streets were dark and I was clad in my usual winter attire (Jeans, T-Shirt, Red 2005 Pasdena High School Sweatshirt that rarely gets washed so it feels great). This is one of those moments when you're driving and just need something to sing along to. There are plenty of ways to attack this situation. Do you go for something poppy and catchy to pass the time? Something aggressive to keep you awake? Actually, I settled on Ryan Adams' cover of the Oasis song "Wonderwall". Why? Because it's quiet, sad and arresting all at the same time. Adams takes what was already a beautiful song and transforms it into a song full of longing and melancholy. It just seemed to fit my mood and the situation. Which got me thinking about the nature of music as the external soundtrack to our day to day lives. We all have music that we work out to or work by. We have music that signifies great moments in our life. But it's the songs that we play when we are traveling through the more mundane parts of our day that really shapes our life. Sometimes the perfect song can make those moments seem a little more bearable...

Ryan Adams -- Wonderwall (From Love is Hell)

Happy Slapsgiving!!

For anyone who is not familiar with the TV Show "How I Met Your Mother" the above reference will make no sense. If you aren't watching one of the funniest shows on TV (and let's face it, the number of good comedies is dwindling by the minute) then you need to start. The writing is brilliant, the acting is superb and the show does just a few little extras that make it special. Case in point was the recent Thanksgiving episode. The episode focused on a running gag involving two characters paying up on a slap bet from earlier in the season. It ends with this charming song about getting slapped in the face!

So sit back, enjoy some Turkey and slap someone you love!!!

Happy Slapsgiving (Thanksgiving) Everyone!!

Quickie

check out my latest contribution to the Contrast Podcast. The Theme was random shuffle and my take was one the Replacement's classic "I'll Be You".

http://www.timyoung.net/contrast/?p=162

A Moment of Serendipity

It's weird how the planets align sometime. Just a few days ago I was thinking about the last time I had heard Nirvana. I was one of those college kids who bought into the whole Seattle thing wholesale and for awhile it was rare that you would find me listening to anything other than "Nevermind" or "In Utero". I was into all that Kurt Cobain had to say and found his music and lyrics to be oddly comforting at a time in my life when I was very awkward. College was not the wondrous experience for me that it is for most (honestly I enjoyed High School a lot more than college). What I did find solace in throughout college was music, and Nirvana in particular.

So I was flipping around TV the other day and I ran across a VH1 Classic re-airing of the Nirvana Unplugged along with a documentary on the making of Nevermind. This was after a short stop on MTV a few day earlier for a live version of "Drain You." Then today I was checking out my usual blogs when I Guess I'm Floating mentions a coin flip contest for copies of "Bleach" and "In Utero". It's just plain weird. Its as if the universe is giving me some sort of cosmic nudge back to something beloved and familiar that I had forgotten.

In fact, I have shied away from any Nirvana posts mostly due to the fact that anything written about the band is cliche. We all know the story and for many of us, there is a deep personal connection to the music. Obviously the myth of Kurt Cobain, like all those that die early in their career, has overtaken the actual material to the point where his legend is greater than anything he ever played. But in revisiting the band's work it is still clear that there was a lot more going on with these guys then just a simple rock band. (BTW, who would have guessed that Dave Grohl would go on to front his own great band. Back then he was just the drummer!) Cobain had a unique way, as is the case with a lot of great tragic poets, to expose his pain and anguish in a way that was relatable and understandable. His phrasing was often very simple and his sense of clarity was downright shocking in some cases. That pain was often embellished by the sheer force of the music and the rage that came with every guitar chord and drum beat. Nirvana didn't just play music, they reached into their very souls for the sheer release of emotion. It's what made them a great band. It's too bad we don't see that kind of passion in music anymore...

Just a couple of my favorites for you.

Nirvana -- Heart Shaped Box (from In Utero)

Nirvana -- Breed (Live) (from From the Muddy Banks of the Wishkah)

Nirvana -- Smells Like Teen Spirit (Live) (from From the Muddy Banks of the Wishkah)

I challenge anyone to not get goose bumps when this song starts. Even now it still is a great, classic rock song.

I'm on the Bandwagon

Some of my favorite blogs (17 seconds, The Vinyl Villain and Manic Pop Thrills) have begun a campaign to get the new single from Scottish singer Malcolm Middleton to the top of the UK Charts in time for Christmas. The song, "We're All Going to Die", is not nearly as morose as it sounds (save for the chorus of "we're all gonna die alone"!!). So I'm here to do my part (although I'm sure that my impact here in the USA will be negligible, but I'm here to support the cause fellas)

So if you're in the UK (or are looking for some truly warped Christmas cheer!) check out Malcolm's myspace and buy the song when it hits ITunes on December 17th...

I promise to return to posting regularly very soon (now that Homecoming is past me...)

Feeding the Indie Rock Beast

So rather than diving into my record collection to unearth something that is ten years old I chose tonight to surf around looking for some new music. (Actually it started with listening to the new JIMMY EAT WORLD record which got me thinking that they sounded alot like another band I liked called THE KILLINGTONS which led to the following search...)

THE SECRET 6 are a Long Beach, CA band that formed after The Killingtons fell apart. Although the sound is still very similar in that it relies heavily on some of the great emo tricks of the trade, there is a little more subtlty and depth to the new material. I particularyl enjoyed the poppy "1992" (you can acutally picture the audiance pogoing to this song live) and the acoustic "Lost" Their site says they have a record coming out this month so stay tuned for more from these guys.


After that I took a jaunt over to one of their friends, a four piece band call MODERN MEMORY. With a flair for the Radiohead-esque, these guys turned out to be pretty decent. Using synths to flesh out the darker guitar sound and then layering some breathy vocals over the top, the band would not feel out of place in the brit rock scene of about 8 years ago. They have a record out now that I might actually buy.


In an attempt to move away from the emo/shoegaze world I checked out a a 5 piece band called REPEATER who are also from Long Beach (clearly something is going on the LBC lately). More theatrical in their music than the other two, this band dips its pen in the David Bowie ink jar and mesh it with a brit rock feel (most likely an Americanized version of Suede). I could have really enjoyed this band except the singers voice isn't the best. But it is musically very enjoyable.




The last stop on my bried Myspace tour was a four piece band called ESKIMOHUNTER. You know how some band names just seem to fit, while others are widely misleading when it comes to the music. Well, these guys could not have picked a better name if they stumbled onto it by accident. You literally feel the chill of the music. Classic shoegazer rock in the vein of Spaceman 3 or My Bloody Valentine. Very enjoyable for when the December frost hits the ground.


As always if you have any suggestions of artists to check out please let me know.

The Mode Goes It's Own Ways

There was a moment a long time ago when I stood in a record store for the first time trying to decide what tape I wanted to buy (back when cassette tapes were in vogue) On one shelf was the entire catalogue of THE CURE. Below it was the entire DEPECHE MODE collection. Now there are some decisions in life that define us as people. This was one of those times. I was still an impressionable youth and had yet to really form a true identity (after all I was a freshman in high school at the time). In the end I snapped up "People are People" and that, my friend, has made a world of difference. Now I have come to also count The Cure as one of my personal favorites but I don't think at the time I was ready to travel the mascara and goth path with the same reckless abandon (preferring the more subtle S and M look of Depeche Mode...man was I naive then)

Anyway, the reason I recall this little tale is because through a confluence of events Depeche Mode are back in the news. Now the band hasn't made a really great record in awhile (although the last record "Playing The Angel" was at least a tolerable return to earlier form), but what's interesting is that most of the band is releasing solo material. So it seemed to be a good time take stock on all things Mode.

At the heart, Depeche Mode is the unique chemistry between Martin Gore and Dave Gahan. Gore has been the principle songwriter since Vince Clarke left all those years ago. Gore has always had the keen ability to tap into the pain and misery of flawed romance and marry it to music that is both catchy and danceable. What I find odd is that when he strikes out solo he only covers other people's songs. Is this an artistic attempt to separate himself from the brand he helped invent? Or merely a creative lark because he doesn't want to throw away good material on a record that won't sell very well? Either way, the music on his two solo albums, "Counterfeit" and "Counterfeit2" is certainly in line with the majestic ballads he tends to sing on DM records. The first ep was released ages ago with the proper solo album out in 2003 so the music is somewhat dated by now. It's a shame he doesn't stretch more (other than really giving in to his obvious love of gospel). Not surprisingly, my favorite song of his solo work is the most reminiscent of classic Depeche Mode, the poppiest song on his first ep called "Compulsion".

In a kind of musical irony its Dave Gahan that has used the solo platform to try to establish himself as an artist. For the entirety of the band Gahan has been the vessel for the words of others so his solo records have been an attempt for him to tell his story (and anyone familiar with his tale knows that there is certainly enough source material for several albums). Musically he does not stray much from the Depeche sound of later years (he even is credited with three songs on "Playing the Angel"). Lyrically his material is full of pain and misery and he a surprisingly adept wordsmith. The first album, 2003's "Paper Monsters" used to blues influence that had been creeping into the band's work to it's fullest effect. I here that the new record (to be released on October 23rd, my birthday) is a continuation of this sound to the point where it's hard to separate it from a proper Depeche Mode record.

And perhaps this is the problem. When bands start putting out solo work it should take risks. Why otherwise would people be interested. If the members of a band are going to rehash their sound under their own moniker then there is really little point (other than the monetary benefits of not having to share royalties.) Wouldn't the time be better spent going back into the studio as a group and rekindling the magic that made them great in the first place?

(mp3) Martin Gore -- Compulsion

(mp3) Martin Gore -- Gone

(mp3) Dave Gahan -- I Need You

(mp3) Dave Gahan -- Kingdom (Digitalism remix) (courtesy of the Beeb Blog)

p.s. for a real treat you can jump on over to Pop Will Eat My Blog and get the album by former DM member Alan Wilder's other band RECOIL. A true artistic risk, Wilder enlisted Toni Halliday and others to make a whole new sound (for it's time) This is how you make a solo album. HIGHLY RECOMMENDED!!

FINALLY...NEW RADIOHEAD

So everyone knows by know that Radiohead decided to surprise the world and announce their new record could be downloaded from their site for whatever you felt was an appropriate amount. (For the record my price was 5 pounds or roughly 10 bucks). Obviously these guys are not only musicians but social scientists interested in seeing just what we as music fans feel is fair market value for their extraordinary work. Under the old system the seller (or label) determined price and we were forced to shell out the outrageous costs for a CD that cost about 2 bucks to actually make.

Now Radiohead has changed the dynamic, basically daring their fans to say that we are entitled to their music for little or no cost. Basically its the entertainment version of a guilt trip. Under normal circumstances, I would have probably tried to cobble together the record from various Internet sources for free, but by allowing me to determining the value of the music, they got money out of me that they would not normally have. Is this the future of purchasing music? Probably not. ITunes wouldn't allow this sort of behavior to exist if it ends up threatening their digital empire. The record labels, already teetering on the brink of being irrelevant, will continue to strike at the nature of downloadable music because it threatens their bottom line. What makes this situation unique is that it is a group with a proven track record for sales and a fan base that is willing to leap into the unknown with their band. Had this been any other band (an in fact I know that HARVEY DANGER actually gave away their last record for free on their site) tried this they would have been looked at as fools for messing with their profit potential. But because we trust and respect Mr. Yorke and Company, they may have made more money this way then they would have using traditional means. You have to at least tip your hat to them for trying something new.

As for the music on "In Rainbows"? It is of course brilliant. Very similar in style to "Hail To The Thief" it has a lot of the same sparse rock nature with the electronic flourishes to give it that slightly otherworldly feel they have been crafting for awhile now. It appears that Thom Yorke's solo record has not had any real impact on the band's sound. I will probably give a better analysis later in the week when I have fully digested it.

For now...enjoy a couple of tracks (and for goodness sake, spend some money on it, let's not be total anarchists shall we?)

(mp3) Radiohead -- All I Need (great bass line on this one)

(mp3) Radiohead -- Bodysnatchers (probably the hardest rocking thing on the album)

The Stomach Punch

One of my all time favorite sports Columnists, Bill Simmons, recently wrote a column detailing the different levels of losing when it comes to sports. I find this eerily appropriate given what has just transpired in the Angels-Red Sox playoff series where the Angels lost on a walk off three run home run. Simmons sums it up like this:

The Stomach Punch

"Definition: Now we've moved into rarefied territory, any roller-coaster game that ends with (A) an opponent making a pivotal (sometimes improbable) play or (B) one of your guys failing in the clutch. ... Usually ends with fans filing out after the game in stunned disbelief, if they can even move at all. ... Always haunting, sometimes scarring. ..."

This is what I feel like right now. The Angels hung in the game the whole time. I paced around my house until I wore a hole in the carpet. My nerves were frayed after every pitch. Then, BANG, Manny Ramirez hits a three run homer and then time stops. I could actually feel my heart sink with the realization that my team had lost. Believe me this is not a fun feeling. I'm despondant and depressed. I will of course watch on Sunday with the faint hope that the guys can turn it around. But I don't think you ever really get over one of these types of games...

(mp3) Black Flag -- Depression

(mp3) Manic Street Preachers -- From Despair to Where (from Song, By Toad)

(mp3) Beck -- Lost Cause (from MFR)

A Quick Beat

So I was driving home from the store tonight and heard this on a cool little college radio station (KSPC in Claremont) and was instantly taken aback. DIGITALISM is a duo from Germany who apparently grew up on a steady diet of Depeche Mode, New Order and Kraftwerk and mixed it all together with a taste of Daft Punk and The Fall to make an intoxicating blend of dance music. They could best be compared to The Klaxons or LCD Soundsystem. (I know, I know could I name drop a few more bands...)

I haven't heard much of the rest of their album but this is a great song!!

(mp3) Digitalism -- Pogo

The Agony and the Ectasy

Today has to be have been one of the most emotional days I've had in a long time. The day can really be split into two pieces, one containing a bittersweet but joyful moment; the other a gut wrenching and torturous display.

First the good stuff. Today was the first day of pre-school for my two boys (I know it's sappy but bear with me). Now my guys are only 1 1/2 years old but are in need of some socializing time to help develop their speech so we got them into this school where they could be around other kids and learn better speech patterns. So why is this a good thing you ask? Well, it's something of a rite of passage seeing your kids take their first tentative steps into the world of education. Now I wasn't there to pick them up but the report from my wife was that their was paint involved, leaves were collected and decorated, and toys were shared at an appropriate level. All in all, a good day.

(mp3) Jack Johnson -- We Are Going To Be Friends (great little kids at school song originally by the White Stripes but my guys like this version better)

Now the agony. Anyone who reads this on a semi-regular basis knows of my love for the Los Angeles Angels. Well today was the first playoff game between the Halos and the Boston Red Sox. So I raced home from work (leaving a ton of things to do and a mass of disappointed co-workers in my wake) to get in front of my big screen TV to watch this game. What followed was 3 hours of sheer torture. There is very little I can do to describe what it feels like to have your favorite team in your favorite sport lay an egg on national TV. I mean they were hapless...just a bunch of guys hacking at pitches and overwhelmed by a clearly superior team. This is why baseball is the cruelest of sports. It takes 9 months for your team to get to the playoffs and within in week it could very well be OVER!!! And yet, being the glutton for punishment I am I will watch again on Friday (and Sunday), in the futile hope that my team will somehow come through. I know it's pathological but that's the price you pay for being a fan...

(mp3) RJD2 -- The Horror (from The Magic Cauldron)

(mp3) Bloc Party -- The Prayer (Hadouken! Remix) as in the Angels don't have a...

The Best Laid Plans...

So a few days ago it was gloomy and rainy here in Pasadena. So I dove into the collection to look for something musically appropriate for the weather. I pulled out a couple of CD's from the New York group BAND OF SUSANS. These guys were a minor obsession of mine years ago because they were making records that sounded a lot like MY BLOODY VALENTINE (and let's face it, MBV wasn't coming out with anything new at the time...or now for that matter). But then I got sidetracked and didn't post them that day. So of course what happens...the DAMN SUN COMES OUT!!! All of a sudden it's 90 degrees and people are back to the beach. So posting these songs seemed like it would kill the weather renaissance and I don't want to be accused of stealing the sunshine from SOCAL.

But I digress. This band is noteworthy in my life for three reasons. 1) It used to feature Page Hamilton (later to found the ridiculously good band HELMET) on guitars. 2) The lyrics had that vaguely political/ slightly depressed vibe that made me seem a little cooler than everyone else who was busy listening to Stone Temple Pilots. 3) This was the first band I actually interviewed. I was so nervous about this phone interview that I read the press kit the label sent me four times. I prepped something like 40 questions to ask. The lead singer, a very nice guy by the name of Robert Poss, must have thought I was an absolute freak. Later, after several other band interviews where I realized that you should really only ask like two questions, have them do a couple of radio ID's for your station then get the hell out of the way, I reeled in horror at what I complete dork I must have been to that guy. But I still dig their music on rainy days.

(mp3) Band of Susans -- The Red and The Black

(probably my favorite song of theirs. Just an absolute wall of noise that hearkens back to Spaceman 3 and MBV)

(mp3) Band of Susans -- Dirge

(more subdued and a little more mellow but still has a nice guitar bite to it)

(mp3) Band of Susans -- I Found That Essence Rare

(it was a toss up between this one and their version of Paint it Black, but this was live so it gets the nod)

JUST ANOTHER HALO VICTORY ! ! ! !

There are few moments that a sports fan can truly rejoice. When you team wins something big, it almost validates the hours you put in watching the games, swearing at the radio in disgust, or pouring over the newspaper for useless tidbits of minutiae (injuries, locker room altercations, minor league batting averages, etc.) So when the Los Angeles Angels won today to clinch their 3rd American League West in the past four year I celebrated. I yelled and pumped my fist in joy. Now I realize that I had nothing to do with the team winning. I did not strike anyone out or hit a game tying home run along the way, but I did root, cheer and support the team as hard as I could. My wife and I have literally sacrificed a good portion of our summer to watching the games. It's just part of the routine of the sports fanatic. So as the playoffs loom I once again break out my vintage Angels jersey and outfit my boys in the latest Angel fashion for the long playoff drive to a World Series Title.

(mp3) Train -- Calling All Angels

(mp3) DoF -- Explosions over Baseball Fields (care of Motel de Moka)

(mp3) John Fogerty -- Centerfield (care of Here Comes The Flood)

Driver Eight -- The band not the song

Tooth and Nail Records was this fun little record label out of Seattle that specialized in pop and punk records in the mid 1990's. Not the hardcore punk stuff coming out of NY and LA but the softer edge stuff (MxPx and the like). Then they shifted gears to more of a traditional indie rock fare and sent me this little gem of a record called "Watermelon" by the band DRIVER EIGHT. Now any band that uses one of my all time favorite R.E.M. songs as it's name automatically got at least a cursory listen but the more I listened to the record the more I fell in love with it.

The band is nothing really special; just a typical three piece rock group. Their songs had all the markings of REM and other Alt Rock heroes. The best analogy I could come up with at the time was BUFFALO TOM. I just kept thinking to myself, wow I really dig this record and can't really say why. I must have played it a hundred times and was still entranced by the simple yet direct musicianship and the conviction of the music. Whether it was the fuzzed up guitars of "Getting This Thing To Go" or the sunny poppiness of "Waiting for Godot", the record was just contagious.

I hadn't listened to it for a long time but as I was pulling things out of the collection I dropped it into the pile and now I am re-listening to it again. It still has that same feel. Good records rarely get worse with age.

p.s. The lead singer, Matt McCartie, seems to have continued to record music under the name THEFT. Check out some of his new work here.

(mp3) Driver Eight -- Getting This Thing To Go

(mp3) Driver Eight -- Waiting for Godot

(mp3) Driver Eight -- Sunbitten (love the way this one keeps building and building to it practically explodes from the speakers)

Songs for Doing Dishes Part Two

So I'm kind of devoid of any real thoughts or ideas tonight so a few random selections from my Ipod that were playing tonight as I cleaned the kitchen:

(m4a) UNKLE (Featuring Ian Brown) -- Reign

This was taken from the second UNKLE CD (after DJ Shadow left the group) and features the vocals of former Stone Roses lead singer Brown. I like this song mostly for it's way over the top melodramatic string usage behind a driving techno beat. I remember it took me forever to track this album down because it wasn't available in the US for like a year after it's release...but it was worth the wait. I can't say the same for the groups latest which is not nearly as good as their first two albums.

(mp3) Paul Hartnoll (Featuring Robert Smith) -- Please

Got this the other day from the excellent blog 17 SECONDS mainly because it has the great Robert Smith from the Cure doing the vocals to what might as well be a lost Orbital song (since Hartnoll is one half of that duo). A great song that I will probably listen to another dozen or so times in the next 48 hours.

(mp3) The Tears -- A Love As Strong As Death

Hype is a funny thing. Suede was about as hyped a band coming out of England as I could remember. They were supposed to be the new Smiths. They were supposed to be as big as the Stones. They weren't either. About two years ago the lead singer and the guitarist got back together and formed a new band (why they didn't use the old name I have no idea) called the Tears. Alas they are still over hyped and not very good. I downloaded this record and can honestly say I have only listened to the whole thing twice. But this song is alright.

Tomorrow I should be back on the creative beam...goodnight all!!

Zencast #7 (Acoustically Speaking)

This episode of the Your Moment of Zen zencast is dedicated to the acoustic guitar in all its glory. A long time ago I bought an acoustic guitar, back when I still entertained notions of rock stardom (or at least coffee house anonymity) and tried to learn to play. But unlike Bryan Adams, I did not play till my fingers bled, and therefore did not master the instrument. Today it sits quietly in the hallway, mocking me and what might have been. So in honor of my unplayed acoustic guitar I bring your Episode lucky #7...

Zencast #7 -- Acoustically Speaking

Tracklisting

1. Glen Hansard and Marketa Irglova -- Falling Slowly

2. Joseph Arthur -- Honey and the Moon

3. Billy Bragg -- Northern Industrial Town

4. Black Rebel Motorcycle Club -- Complicated Situation

5. Bright Eyes -- From A Balance Beam

6. Cat Stevens -- Moonshadow

7. Coldplay -- Till Kingdom Come

8. Goo Goo Dolls -- Acoustic #3

9. Josh Ritter -- Snow is Gone (Live)

10. The Hereafter -- Eulogy