Sire Records Just Say...Series (Part Three)

By now the late 80's/early 90's nostalgia might be killing some of you (at least the hazy recollections of my teen years have got to be a bit grating at this point.) But we soldier on nonetheless. The 1989 collection of the Just Say series, entitled "Just Say Mao", comes with a nifty picture of a dancing Mao Tse Tung (leader of Communist China for those of you who slept through world history class in high school) and started a move away from the label's more established artists into somewhat more avant grade territory. The only really big name on this disc was Depeche Mode, who clock in with a remix of "Everything Counts". Morrissey, Erasure and The Replacements check in but with less than stellar tracks. The two highlights here are the first thing I heard from the Hershey, PA band THE OCEAN BLUE and a very early incarnation of UNDERWORLD.

THE OCEAN BLUE stole my heart with this, their first singled called "Between Something and Nothing." I was enthralled with the song which is very simple but has a transcendent guitar solo in the middle of the song. I immediately grabbed their first record and have followed them ever since. If you have a chance to get their debut self-titled album.

UNDERWORLD gives us a song called "Thrash" which truth be told is god awful. And yes, it is the same band that later on gives us the great "Born Slippy". This was before Darren Emerson joined the band and they became the dance floor sensations that they are today. Here the band is run of the mill guitar pop group who ended up dying out and being reborn. I guess this is a lesson that if you first don't connect with an audience don't give up, just take a whole lot of drugs and reinvent yourself (editorial: This is not an endorsement of taking drugs, although it is apparent that at least for these guys the benefit of not having to hold down a real job seems to have worked out okay for them)

So all in all, this is a weak compilation. Apparently the A&R guys had falling in love with Middle Eastern influenced music so it has some real drawbacks (since that is not something I am really into). But the Ocean Blue song saves it and gave me my first real band crush.

(mp3) The Ocean Blue -- Between Something and Nothing

(mp3) Underworld -- Thrash (for unintentional comedy sake. Check out The Vinyl Villain for a take on the band at their best.)

Tracklisting for Just Say Mao...

1. Depeche Mode -- Everything Counts (Bomb Beyond the Yalu Remix)

2. Martin Gore -- In A Manner of Speaking

3. Figures on a Beach -- Accidentally 4th Street (Gloria)

4. Underworld -- Thrash

5. Erasure -- Pistol

6. Nasa -- Insha-Allah

7. Throwing Muses -- Dizzy (Remix)

8. Danielle Dax -- Whistling for His Love (Remix)

9. Morrissey -- Lucky Lisp

10. The Ocean Blue -- Between Something and Nothing

11. Ofra Haza -- Da'Ale Da'Ale (Remix)

12. Tom Tom Club -- Don't Say No (Remix)

13. Ice-T -- The Hunted Child

14. Royal Crescent Mob -- Nanana

15. The Replacements -- Date To Church

16. k.d. lang -- Nowhere to Stand

17. Lou Reed -- Strawman (Live)

Sire Records Just Say...Series (Part Two)

1988 brought the second installment of the Just Say Compilation series, "Just Say Yo..." and with it new discoveries into the world of music. At this point I was a Sophomore in high school and still very much a socially awkward, bookish geek. I had only two saving graces that got me through high school. 1) I was fortunate enough to hang out with others who were more socially adept than I and who, in exchange for my acumen in History and English, provided me with a social setting and 2) I was starting to amass quite a CD collection. At that time I was developing into a walking collection of mix tapes and obscure tracks from favorite bands. This made me somewhat of an anomaly a cooler than thou nerd. This compilation served me well in a couple of key areas.

First, at the time, the DEPECHE MODE "Behind the Wheel/Route 66" version was in scarcity in the states. Our local alternative station, the once mighty KROQ, was playing the Mode like it was going out of style and so I gained many points for having what was at the time a unique take on this song. Second, the BOOK OF LOVE mash-up of "Tubular Bells/Pretty Boys and Pretty Girls" was something of a minor club hit and so having this made me seem like I was truly on the cutting edge. Finally, the MORRISSEY track "Will Never Marry" gave me depth that I did not possess at the time. (Disclaimer: these are all somewhat fuzzy memories at best, so if you might have been present for my adolescence at the time please spare others from revealing the truly embarrassing truth...it's better for me to live in my dreamworld.)

(mp3) Depeche Mode -- Behind the Wheel/Route 66 (mega single mix)

(mp3) Book of Love -- Tubular Bells/Pretty Boys and Pretty Girls (Regan's House Medley)

Tracklisting for Just Say Yo...

1) Ofra Haza -- Galbi

2) Morrissey -- Will Never Marry

3) kd lang -- Black Coffee

4) Depeche Mode -- Behind the Wheel / Route 66 (mega single mix)

5) The Wild Swans -- Bible Dreams

6) Erasure -- Chains of Love (Truly in Love with the Marx Bros. Mix)

7) Book of Love -- Tubular Bells/Pretty Boys and Pretty Girls (Regan's House Medley)

8) Martini Ranch -- Hot Dog

9) Throwing Muses -- Mexican Women

10) A House -- Call Me Blue

11) The Mighty Lemon Drops -- Inside Out (Live)

12) James -- What For

13) The Soup Dragons -- Kingdom Chairs

14) David Rudder/Charlie's Roots -- Bacchanal Lady (Extended Remix)

Sire Records Just Say... Series (Part One)

One of the major problems facing the music industry these days is the ability for bands to release their own material without the use of the old record label apparatus. This has been a benefit to those of us who seek out new music on a regular basis but it does have one drawback. Back in my youth I could rely on certain record labels releasing material I was guaranteed to enjoy. 4AD, Sub Pop, Merge, and Sire records all released records that matched my sensibilities to the point that when I saw the logo I bought it without question (and was rewarded more often then not). In the case of Sire records, the best and biggest new wave bands were signed here throughout the 80's (Depeche Mode, Echo and The Bunnymen, The Smiths) so their catalogue was essential to shaping me as a musical youth. For a string of 5 years the label released a compilation CD highlighting artists for the year. The "Just Say..." series is a who's who alternative rock (mostly from Europe with a little US thrown in). There are actually seven volumes but since I only own five I will have to limit this to a five part series of posts.

The first album, Just Say Yes.., released in 1989, gave me my first real taste of Echo and James. I bought the record based on my knowledge of Depeche Mode and the Smiths (and the prospect of a rare Smiths song was worth the purchase alone). Despite all the big names it was two minor acts that I wore out. I absolutely fell in love with THE MIGHTY LEMON DROPS track, to the point were I sought out their albums with a furious passion and may have actually threatened a store clerk when he said he had to special order them. The other band that caught my ear was FIGURES ON A BEACH, who are actually from Boston. I was convinced these guys were going to be huge and proceeded to stake my fledgling reputation as a music snob on their merits. Two albums later they were gone, but I managed to get over it.

So here are those two tracks for your listening enjoyment. If you want any of the others drop me a line and I will oblige.

(mp3) Mighty Lemon Drops -- Out of Hand

(mp3) Figures On A Beach -- No Stars

Tracklisting for JUST SAY YES...

Depeche Mode - "Never Let Me Down Again" [Split Mix]
Echo & the Bunnymen - "Lips Like Sugar" [12" Mix]
The Mighty Lemon Drops - "Out of Hand" [Extended Version]
James - "Ya-Ho"
The Smiths - "Work Is a Four-Letter Word"
Figures on a Beach - "No Stars"
Wild Swans - "Young Manhood"
Ice T - "Somebody Gotta Do It (Pimpin' Ain't Easy!)" [Remix]
The Ramones - "I Wanna Live"
Replacements - "Can't Hardly Wait"
Throwing Muses - "A Feeling"
Aztec Camera - "How Men Are"
The Casual Gods - "Cherokee Chief"
Erasure - Hideaway [Little Louie Vega Mix]

Sappy Stuff For My Wife!!

Today is our fourth wedding anniversary (and my 150th post) so I thought I would post a bit about it. My wife does a far better job quantifying her sentiments here than I do so I will leave it to others... (fyi: the photo here was taken just after our first dance, so you can imgaine why I look like I'm about to die of embarassment and my wife is cracking up)

(mp3) Amas Veritas --Alan Sivestri

Our recessional we used at our wedding

(mp3) All I Want Is You -- Mary Beth Maziarz

I lobbied for the original by U2 as our first dance song but my wife pointed out that would mean I would have to dance for 7 1/2 minutes (and folks that's just not happening.) But the words still capture what she means to me to this day.

Track By Track: Review of REM's Accelerate

I don't usually do full length album reviews (opting more for snarky comments and reminiscing about bands that are long gone) but with the new REM album I felt it was a good time to deconstruct an album in it's entirety. I am glad to see the band put together a solid album and take some effort and time to sound like the band we all know and love. It fits well with their later work (and borrows sonically from "Automatic For The People", "Monster" and "New Adventures in Hi-Fi"). It may be lesser than those albums, but it is certainly better than any of the post Bill Berry work they have done. So here it is track by track:

Track 1 -- Living Well is the Best Revenge

Within the first 15 seconds it is obvious that the band came to rock. Gone are the slow strings and mellow keyboards, "Living Well..." blasts through with a great guitar and bass combo. Lyrically, Michael Stipe seems to be taking on his critics directly (Don't turn your talking points on me, history will set me free. The future's ours and you don't even read the footnote now!)which is something he tends to not do, opting to be a bit more obtuse in his observations. This song could be a long lost cousin of "It's The End of the World As We Know It (and I feel fine)."

Track 2 -- Man Sized Wreath

After my initial listen through the album this turned out to be one of my least favorite tracks. It just seems like the song is missing a really good hook. After a few more turns around the album I accepted it as the band's attempt to write a punk song (short, choppy drums, thick guitars, little or no chorus) but I still skip past it in most cases.

Track 3 -- Supernatural Superserious

The first single is the poppiest thing on the record (so it's a natural lead out into the world). a song about lost identity and searching to find a place, it's an obvious allegory for Stipe's own attempts to reconcile his private and public life (something he has been more open about in the past few years then in his younger days). I like it, but it's not a great REM single.

Track 4 -- Hollow Man

The album really gets moving with what starts out as a quiet acoustic song and then finds a real groove. The chorus is absolutely breathtaking as Stipe seeks out meaning in his life. Buck and Mills mine some really familiar territory musically here (there is even the standard descending REM guitar line that is their trademark) and the result is a quintessential REM song. One of the clear highlights of the set.

Track 5 -- Houston

A song about Katrina and the aftermath, "Houston", is a direct attack on the government and it's response and the need for the people of New Orleans to look beyond the ruin and rebuild. One of the band's finest lyrical efforts and musically it is one of two tracks that could be an outtake from Automatic For The People. The electric guitars and the organ comes and goes like waves (an intentional trick given the song's topic). You just sense the narrator's dread as he looks around and wishes he were somewhere else.

Track 6 -- Accelerate

We're back to the rock songs with the title track. I can't say it's very memorable but it sounds great in the car (although the fact that it may be about suicide is certainly a downer).

Track 7 -- Until The Day Is Done

The best song on the album. This is the other Automatic clone, from a musical standpoint, so it's up to the lyrics to carry it. What seems on the surface to be another song about the hopeless nature of the country (a reoccurring theme on the record), it becomes an uplifting song about the ability of man to carry on even in spite of all that he faces.

Track 8 -- Mr. Richards

Could this be addressed to Mr. Bush (or Karl Rove)? A dirge-like number that is definitely a message to those who hold antiquated opinions.

Track 9 -- Sing For The Submarine

A song that hearkens back to early REM (Stipe even throws in an homage to "Feeling Gravity's Pull"), this is a very abstract collection of random lyrics. The song never finds it's groove and left me very unsettled. Somewhere here is a great song (and may get new life live) but I think a little more work on this one would have helped.

Track 10 -- Horse To Water

Of the rock tracks on the album this is one of the best. Stipe is playing the part of a stubborn believer who will not accept the opinion of the masses. This will be a great song live. On this and "Living Well..." Stipe hits the right mix of vitriol and passion and is matched with Buck's big guitar lines and Mills falsetto harmonies.

Track 11 - I'm Gonna DJ

Most people I've read HATE THIS SONG. I can't say I love it but it's not gonna kill me. It's a nice little rock song that will get people up and dancing at the concerts. I'm sure there were better songs that could have been added to the record but it fits with the overall sound and lyrical direction of the album.

New A Classic Education!!

A CLASSIC EDUCATION have just posted a new track on their myspace site. I swear the more I listen to them the more I like them. The new song, called "Badlands and Owls" continues with the ethereal, dreamy sort of indie rock that I heard on their first few tracks. Kind of a mix between BAND OF HORSES and MODEST MOUSE but with more strings. Do yourself a faovr and head over to give this song a listen. I can't wait for a full length album from these guys.

Out of respect to the band I won't post the song, just enjoy the tracks from their site.

Zencast #11 -- The New Cast

So it has been ages since I did a podcast so I thought I would focus this episode on new material that is coming out (or has recently come out) for the 2008 year. Lots of highlights here, including a track from the new REM cd (which I will review in full later this week). Also of note is the new song from DEATH CAB FOR CUTIE, which will probably be the biggest record that will hit the blogosphere this year. So sit back, relax and check out what's in store for the new year.

Zencast #11 -- The New Cast

Tracklisting

REM -- Until the Day is Done

Counting Crows -- Hanging Tree
Death Cab For Cutie -- I Will Possess Your Heart
Tokyo Police Club -- Juno
The Charlatans -- Missing Beats (for a Generation)
Portishead -- Machine Gun
The Breeders -- Bang On
Black Francis -- I Sent Away
Billy Bragg -- O Freedom (thanks to Song, By Toad for this one)
Nick Cave and the Bad Seeds -- Lie Down (And Be My Girl)

A Sports Junkie's Dream

So I spent a good portion of today watching a variety of sporting events. The afternoon started with the San Diego Padres beating up on the Dodgers (which warms my heart). From there it was on to the FINAL FOUR. Usually, I prefer college basketball to the pros because college has more pageantry and the players still look like they enjoy themselves. However, the year has been something of an anomaly because the NBA has been so competitive and the LAKERS are actually good again (which makes me sound like something of a fair weather fan, which I am not). But I did anticipate a couple of good college games given that the four teams playing all were very good and had a load of talent on the floor. But Memphis blew UCLA off the court (the score was not even close to the way the game actually played out) and then Kansas opened up a serious can of whoop ass on North Carolina, so I soured on the hoops in favor of the ANGELS game. (For those who have not read this blog for very long, I have a long standing love affair with baseball and the LA Angels in particular). I will eventually share my thoughts on the Halos chances this year but tonight it was just a joy to sit in the chair and watch a little baseball. Fortunately the Angels won so my sports ended on a positive note...

Which brings me to the real reason for this post. I must have seen this commercial about 100 times today (can't really Tivo sports so commercials are a byproduct). Nike has always used music very effectively in their commercials and this is no exception. It got to the point that I was actually humming the song while watching the games. Ah, the power of subliminal advertising. Now please excuse me while I go buy some cross trainers and a Tiger Woods hat...

If you're curious the song is by Saul Williams. Here it is in audio format for your continued listening pleasure.

(mp3) Saul Williams -- List of Demands (courtesy of Slave To The Details)

Pop Music Backlash

So I have equally immersed in the new REM and COUNTING CROWS' records for the past two weeks. Which has made start to jones for something off kilter and random. This happens to me from time to time when I feel I might be trading in my indie roots for the Adult Album Alternative crowd. This is also a by product of my age and my inability to go to four shows a week like I did when I was younger. It just becomes easier to buy and enjoy music that's safe.

So in an effort to fight mainstream pop complacency (which I think also can be treated with some sort of antibiotic) I submit to you LONG FIN KILLIE's Hands and Lips ep. These guys were a Scottish band that released a couple of records in the 90's under the Too Pure label. Too Pure housed a lot of really avant garde artists and shoegazer type bands so I naturally gravitate to this music when I feel like something odd or unique. LONG FIN KILLIE seem to travel in the same atmosphere at dEUS (from yesterday's post) so if you enjoyed them you will probably dig this. Folks who enky early MOGWAI might also want to kick the tires on this ep.

(mp3) Long Fin Killie -- Hands and Lips

(mp3) Long Fin Killie -- Angel

(mp3) Long Fin Killie -- Nation

(mp3) Long Fin Killie -- Clinch

What is "Weekly Christmas"?

One of the cool things about working in college radio during the mid 90's was the fact that no matter how small your station was (and we didn't get much smaller than the station I ran) you got treated very well by the record companies. In many ways the 90's were a great time to be around music because even the major labels had a need to seem hip and indie. Every label had a college radio promo guy or girl and these people spent their days dealing with those of us in college radio who for lack of a better word, were music snobs. We had a tremendous influence on the shape of new music simply with our play lists. Since I was close enough to LA to count it only added to my cache and for a short while my opinion genuinely seemed to matter (this would translate into a short career as a promo guy myself...but more on that later)

Anyway, the best thing was that every week there were packages of records that would be sent to the station for us to listen to. My friend Scott called it "Weekly Christmas". Every Tuesday I would travel to the mail room and pick up a huge bag of packages. We would tear through to see what was new for the week. Some packages were more valued than others. For some reason, packages from ISLAND RECORDS always held personal favor with me. It seemed there was always something good in those packages. That's how I found dEUS.

I can't say I really listened to the whole album very much. I was really only enamoured with a couple of songs on it. But the ones I liked I really liked. dEUS had that beat poet, jazz dissonance thing going for them which made their songs jump out at you. The record was also very dark both lyrically and musically. Crunching guitars meshed with violins and a scream/shout singing style that was just short of hard to listen to. Then the band would find a groove and all of sudden it all made sense. I may have played "Suds and Soda" about three dozen times on my show in a six month period of time. I absolutely loved that song probably because it reminded my a bit of CAMPER VAN BEETHOVEN whom I also love. I have not heard anything else since their debut record back in 1994 but I understand they are still around. So a couple of tracks from a gift of "Weekly Christmas"!

(mp3) dEUS -- Suds and Soda

(mp3) dEUS -- Via

Like a well worn sweater...

There are some bands that just don't change. They just don't have it in their DNA. They have a formula that brought them success and they simply cannot break away from it. They may play a bit with some new instruments are try a new producer to shake the mix up but they still end of sounding the same every time. This is not always a bad thing. After all, many bands have made a career in this variations on a theme approach. A prime example are THE COUNTING CROWS. This was one of those American Bands of the 90's (along with Blind Melon, Live and Toad The Wet Sprocket) that made a name for themselves with a heart on their sleeve lyrical sensibility married to a folk rock approach that owed a lot to Neil Young. Counting Crows are still around and are set to release a new record and based on the first few leaked tracks, it is very much their formula. They have taken a Jekyll and Hyde tactic this time around with a rock side and a country side but really it's all just their songs. Simple, plaintive and comforting. I admit I missed them and I'm glad to have them back. Now if I could just find my favorite sweater from college I'll be set...

(mp3) Counting Crows -- You Can't Count on Me

(mp3) Counting Crows -- When I Dream of Michelangelo

Has This Ever Happened To You?

So I intended to take the easy way out today and post some U2 or Sinead O'Connor (or even, Lord help me, a Cranberries song) in celebration of St. Patrick's Day.

But then a funny thing happened around 2:00am in the morning about three days ago. What I describe here happens to me all the time. It's a by-product of spending most of my adolescence and adulthood immersed in music. What I want to know is if I am the only one afflicted by this condition.

It starts out with a slight nagging sensation. Sometimes its a piece of a song lyric. Maybe a guitar line or a drum beat. On those truly difficult cases its a bass line. It just gets stuck in my head. I start repeating it over and over. I can't place it yet. I try to seek out the next line in my head. I hum the tune (or at least the portion rattling around my cranium at that particular instant) endlessly searching for the connective tissue that will point me in the right direction. By midday I descend into a kind of manic state. Will I ever figure out what song it is? Was it something I heard recently or is my subconscious jarring my musical interest in a long lost gem? Will I ever figure it out or will it just dissipate as quickly as it came?

Normally, in the best cases, I figure it out in a day. Maybe two at the worst. I have yet to be totally stumped by my brain but this latest incarnation of this game almost drove me insane. Mind you, I suffer these melodic torture treatments silently. After all, those are the rules. Sharing only makes others endure my suffering. If I share the odds on someone knowing the song are slim at best. Certainly someone with a limited musical selection would be useless in cases such as these because the tune is often some toss off album track. Rarely is it obvious.

Then the miraculous happens. A light clicks on and the sound in my head grows. The next line or piece falls into place. I connect the sound to a picture (usually album artwork but sometimes a singer standing on stage). I am filled with a rush of accomplishment. I have a concrete clue to work from. Then its into the racks of Cd's. I pay no attention to other albums (to do so can be fatal, it causes the brain to shift to other treasures. I have no time for the live bootleg recording of a 1987 REM concert...I'm on a mission Damnit!) Then there it is, nestled in corner of a shelf. The CD that contains the song that has haunted me. I have found it!!!! HALLELUJAH!! PRAISE THE LORD!!! THE NIGHTMARE IS OVER AND I CAN SLEEP AGAIN.

(all that for a song from a anonymous New Zealand band called THE CHILLS...and it wasn't even the single.)

(mp3) The Chills -- Background Affair (from Soft Bomb)

one more for good measure

(mp3 The Chills -- Male Monster From The Id (from Soft Bomb)

Why History Matters

So HBO is running a mini-series about the life and work of John Adams. Adams was an influential founding father of the United States serving as a member of the Continental Congress then later as the Vice President under George Washington and the 2nd President of the United States. While not as celebrated as Washington, Jefferson or Franklin, Adams clearly had a tremendous impact on the shape of this country. It reminds me of why I enjoyed teaching US History so much for the nine years that I did it. People often asked me why I taught history. It's boring and slow and has little impact on my life. My response was always the same. History, particularly US history, is full of important men and women facing tough moral and ethical questions and their choices impacted the course and shape of our nation for all time. Imagine what the United States would have been like if Lincoln had not been President to guide the US through the Civil War. Imagine what might have been had Franklin Roosevelt not met the Great Depression head on with a plan of action. What would our future be if Kennedy had not stood in front of the Berlin Wall and challenged the Soviet Union? Where would this country be if George Bush hadn't taken us into war? (okay so that's not a great example of leadership but will move on...)

The point is that those who do not learn from the past are doomed to repeat it. Those who do not study the past are robbing themselves of the collective wisdom of those who came before them. To do either is foolish.

(mp3) The Bell -- I Am History (courtesy of Discodust)
(mp3) Propellerheads -- History Repeating (courtesy of Lost In Your Inbox)
(mp3) The Good, The Bad and The Queen -- History Song (courtesy of Twelve Major Chords)

Notes From The Hill

A few thoughts upon my return from lobbying the state Congress on behalf of education.

1) I don't believe I actually saw a single Congressman today. They were all out to lunch when we got to their offices and were unavailable. Glad to see my tax dollars are hard at work paying for a good meal. I'd hate to see anyone starve.

2) State Capital Buildings are like museums. Until you get upstairs then they look more like insurance offices. Very bland with outdated magazines all over the place.

3) True Story: A legislative aide for one of the Republicans we visited actually referred to Governor Arnold as "The Govenator" (To be fair it was slip of the tongue for which she was highly embarrassed, but it was still funny)

4) Educators (especially those in administration) love to thank each other. Seriously I counted 45 thank yous in one speech. If the speeches were to be believed approx. 4000 people worked on a day and half conference held in one location and catered by the hotel staff. This took tremendous amounts of planning and I would like to take a moment to thank myself for attending.

5) A friend of mine referred to our lobbying efforts as "ball-washing" and "ass-grabbing". Just about sums it up for me.

6) Since I heard this about 800 times it bears repeating, California is the 8th largest economy in the world and is 46th in education spending. Do these numbers add up to anything but a load of crap?

7) People who speak in public (myself included) strive for one of two avenues for their speaking; get people laughing or get them yelling in support. Wouldn't it be nice if people just spoke like normal people into mics so we could actually understand what they are saying for a change?

8) Two guys hiked from Vacaville to Sacramento to protest these education cuts and got more press time then a collection of over 500 school administrators. So I guess it's true that actions speak louder than words.

9) When Republicans speak of supporting public education and then one of their leaders chooses to honor a women who, while sitting on city council, decided to home school her four children, doesn't that send mixed messages?

10) A final story: At a reception on the first evening my friend Garrett and I were sitting on the patio drinking a beer and we noticed two older gentlemen sitting at another table. They leaned over and politely introduced themselves as retired school administrators who had served collectively over 75 years in public education. I asked them why they were here and one replied that he still believed in the cause after all these years. I turn to my friend and we both have the same thought...will that be us in 30 years and is that a good thing or a bad thing?

(mp3) Maximo Park -- Apply Some Pressure

(mp3) The Dead Kennedys -- California Uber Alles

Look Ma I'm A Lobbyist

I've always had a passing interest in government and politics. While in college, I started out as a Political Science major with the intent of working in government is some capacity. Now as an educator I have been sent to our state capital with the intent of speaking with various congressmen on the perils facing our schools if they go through with their proposed budget cuts. I won't bore with the gory details (but if you live in California you should definitely worry about how this will affect the overall quality of your children's education), but I do find it interesting dealing with politicians.

By and large, politicians are not the slimy, used car salesmen that they are made out to be. Sure, there are some of those type in operation, but most are simply party men and women who have been conditioned to say little of importance and try to do their best to avoid saying something stupid. So this leads to stagnation and a dearth of new ideas. What it also leads to is deadlock and lack of compromise on a number of issues so real people get hurt due to all this inaction. So here I am, ready to go to battle tomorrow armed only with my conviction that what I believe is right and facing the daunting task of talking with little or no hope of it meaning anything...STAY TUNED!!

(mp3) Brave Captain -- I Pledge Resistance To The Flag

(mp3) The Boxer Rebellion -- All You Do Is Talk

Random Sloan Post

As referenced on numerous other postings, I have a slight thing for the power pop groups (see previous posts on THE POSIES and MAGNAPOP) so it was just a matter of time when I got back into SLOAN. Sloan was supposed to be Canada's answer to WEEZER right down to the shaggy hair and geek chic glasses. But where Weezer fell apart after their first record and have never seemed to reconcile their poppier tendencies with their desire to emulate KISS (at least musically), Sloan have just continued to mine the three chord, three minute pop song. Their first album, "Smeared", is by far my favorite. This is because the band was still playing with their sound a bit and you can hear the variance in sound (a little fuzz and distortion added that is missing on the later records). Lyrically, the songs tend to be the tried and true unrequited or lost love, which makes them classical in pop music stature. Enjoy!!

(mp3) Sloan -- Underwhelmed

Their first single and probably their most recognizable song. Just enough of a smirk in the lyrics to match the power of the guitars.

(mp3) Sloan -- Median Strip

This song has a kind of anthemic quality to it from the guitar intro to the bass only accompaniment in the verses.

(mp3) Sloan -- Coax Me (courtesy of Nellies Life)

This was off the second record and is more akin to their overall sound.

Wanted -- New Direction for Huge Commercial Band

So I stumbled across this article about the upcoming COLDPLAY record and it got me thinking...when is it a good idea for a huge band with lots of commercial success to change and when is it a bad idea. You look at various bands (U2, Radiohead) who have made radical shifts in musical style with greater commerical and critical success while others (REM, New Order) stayed the course and saw their relevance disappear. But as is the case with the first two examples, eventually fans started to slowly tire of the experiementalism and the bands slowly returned to their roots. In the case of u2, with all the applause that came with Achtung Baby and Zooropa their was equal disdain for POP. Eventually they returned to their signature sound on the last two records and saw their importance to the rock world return. Despite what people say about Radiohead and their experimental nature, I would argue that the most recent album is the closest thing they have done to THE BENDS than any other record (which, despite everyone's claim that OK COMPUTER is their favorite, still outsells anything else in the band's catalogue)

So what is COLDPLAY to do? They say they are moving away from their sound for a grittier, darker approach (cribbing a bit from the U2 Playbook with producer Brian Eno on board). Rolling Stone says that this is a good thing but I argue, what was wrong with the band in the first place? Will this new direction rob the band of their commercial appeal for the sake of chasing "artistic integrity"? Did the music on the first three records not have any art to it because it sold? Can a band find a balance? Well, the article at least got me listening to their music again.

DISCLAIMER: I know it is frightfully uncool to like COLDPLAY and I might very well lose my Cool Music Blog Registration Card for this post, but I defy anyone who has heard "Clocks" not to get goosebumps

A Couple of songs from the last album just to remind you were the band left off (unfortunately I only have this record on my computer at this time, but you can pretty much find anything on line)

(mp3) Coldplay -- Square One

I thought this was the highlight of the last record.

(m4a) Coldplay -- Your World Turned Upside Down (live in Hollywood)

I was at this show and I thought this song was brilliant. Too bad I can't find a better quality of it.

Gazing at My Shoes (Part Two...The Podcast)

The shoegazer movement of the 1990's was the UK answer to the Grunge scene in America. Both broke around the same time and both contained artists that were original followed by a lot of imitators who took the scene more seriously than the music. Those early bands, MY BLOODY VALENTINE, THE JESUS AND MARY CHAIN and RIDE (pictured) set a tone and feel with their sound. They weren't interested in theatrics or flashy stage shows, just playing music that they felt passionately about. They all set out with the intent of pushing the boundaries of what guitar based music should sound like. Although most of these bands had critical success here in the States, many of them failed to make any commercial dent. Most bands today seem to shy away from this sound, opting for a more radio friendly mix of rock and pop that plays well in car commercials, which only seems to reinforce the unique nature of what these bands were doing. This podcast is just a small sample...

(mp3) Zencast #10 -- Gazing at My Shoes

Tracklisting

My Bloody Valentine -- Soft As Snow (But Warm Inside)

My Bloody Valentine -- Only Shallow

Ride -- Leave Them All Behind

Sonic Youth -- Dirty Boots

Spacemen 3 -- Take Me To The Other Side (Live)

Swervedriver -- Rave Down

Th' Faith Healers UK -- This Time

Slowdive -- Some Velvet Morning

Snowpony -- Easy Way Down

Catherine Wheel -- Salt

m83 -- A Guitar and a Heart

p.s. here is a site with a great live show by RIDE from Italy in 1992. I think it's a great example of this style of music played live.

Gazing at My Shoes (Part One)

A prelude to my next podcast in the form of a quick post of a song from one of my favorite shoegazing bands, MY BLOODY VALENTINE. Now there are literally thousands of posts a month on the greatness that is MBV so I won't give you the whole story but it's safe to say that for those of us who listened to music from the UK throughout the 90's, MBV and THE STONE ROSES were the two most frustrating bands around. Both made brilliant music and then seemed to disappear as they struggled to make a follow up album (which, unfortunately, the Roses did years later with the mediocre "Second Coming"). Kevin Shields and Co. are still taunting us with the potential for another record but I'm not holding my breath. So here's something to remember them by (more to follow tomorrow with the podcast...)

(mp3) My Bloody Valentine -- Soon (from Loveless)

Not To Get To Far Ahead Of Myself BUT...

So, songs from the new REM record, "Accelerate", are starting to make their way into the world in the finished studio form. The first single "Supernatural Superserious" gives me a sense of hope. As detailed on this and other blogs about 6 months ago, REM seemed to have lost a bit of their cache mainly due to their pitiful last record "Around the Sun" (to the point where it is the only REM album I do not own). So why do I have hope...well because this song has all the REM trademarks that made them a great band. The Peter Buck guitar is back (still a little to clean for my tastes, I like a little fuzz in it), the Micheal Stipe lyrics are still a bit obtuse (I think it's about a lost teenage love or something like that) and the great Mike Mills harmonies are thankfully back in full force. Maybe it's the fact that they realized that their relevance had wained and they needed to pull it together or maybe they just had some fun for the first time in a while in the studio but maybe, just maybe, we have the Great American Rock Band back!!!

(mp3) REM -- Supernatural Superserious (Thanks to Pop Tarts Suck Toasted)